Paper Plane Reviews

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Category: Science Fiction Page 2 of 5

Authority by Jeff VanderMeer

Having finished Annihilation, I was really excited to see where the Southern Reach series would go. From what I could gather from the blurb, Authority would focus more on the actual facility that sent out the expeditions, as they try and wrap their heads around whatever is going on in Area X, which I thought had a lot of potential. As a warning, there will be spoilers for Annihilation in the following review, so if you’re still in the middle of it, I would advise skipping this until you’re finished.

Authority follows John “Control” Rodriguez, a secret service agent who has taken over as the new director at Southern Reach, following Annihilation‘s disastrous twelfth expedition. Three of the expedition members have returned home without triggering any alarms at the border of Area X, only the psychologist, now revealed to be the former director, still missing. Having been charged by his mysterious handler, known only as “the Voice”, to put Southern Reach back into some kind of order, Control must try and navigate deliberately obstructive staff who are certain that the former director will return, the unnerving and circuitous notes left behind by the former director, and the disturbing notion that his superiors are keeping secrets from him.
When I finish a book, what I usually do is write my review, submit it, and then take a look at other people’s reviews to see where we differ. As I wanted to organise my thoughts a little before discussing Authority, I looked at the reviews first. The number of one star reviews that I found in surprisingly quick succession gave me a bit of a shock. But taking a look at the content of those criticisms, I could see where they were all coming from, despite personally quite liking it. So, the main criticisms seemed to be with regards to the comparatively slow pace and more mundane focus on what is essentially office politics, especially after the weirdness that was Annihilation. They seem like decent enough points to discuss, and I can avoid the majority of spoilers. Looking at Authority having finished it, I can say that the slow pace and the focus on office politics, while admittedly frustrating at times, does seem to have its place in the grand scheme of the Southern Reach series. The pace and focus serve to develop what could be considered the status quo of two elements: Control, and the Southern Reach facility.
I’ll start with Southern Reach itself. While initially appearing rather normal for a facility dealing with Area X, the mundane routine of a 9-5 working week means that each day reveals layer after layer of weirdness and misdirection between all the different people working there. Control’s return to his rented home in the nearby town provides a much more straightforward example of normality, so you can really see how Area X is starting to bleed out and affect its surroundings. And once you get to the part of Authority where the plot goes from 0 to 60, it is way more of a shock to the system. Having created a pocket of comparative normality, the uninhibited weirdness of Area X that turns up in the final third is stark and feels so much more threatening for it.
Then there is Control. He decides at the beginning of his term as the director that he won’t let himself get emotionally involved in anything that he finds out, and that he will stay firmly in control of whatever he needs to do in order to clean up after his predecessor, meaning that he sets out with a hyper-vigilant mind-set. The set-backs that he encounters pretty much immediately, like the strange obsession that he has with interviewing the biologist and the deliberate withholding of information from both his employees and superiors, aren’t necessarily big when he is first confronted with them. But with his hyper-vigilance, he picks up on every little detail, both legitimate cause for concern and irrelevant tidbit, and soon everything is being seen as part of a mass of competing conspiracies, leading him on a downward spiral to anxiety and paranoia. I think you can probably guess what a mindset that defensive and fragile will do when confronted with anything from Area X, right?

If you’ve started reading Authority with the intent of getting concrete answers for questions you had from Annihilation, then you will be disappointed. It does give some more details about the Southern Reach facility though, so while I won’t admit to knowing much more than I did at the end of the last book, I think I have a firmer feel on how the world works. I have seen some criticism that Authority focuses too much on the office politics, but I think that the slow pace and (comparatively) mundane setting are very cleverly pulled off. The focus on seemingly unimportant details both develops how the normal world is affected by Area X even with containment, and allows Control to move from being stoic and hyper-vigilant to someone who is barely coping with his own anxiety and paranoia. You just have to be patient with it. 4.5/5

Next review: Acceptance by Jeff VanderMeer

Signing off,
Nisa.

Annihilation by Jeff VanderMeer

I’ve been a bit naughty with regards to my reading list. So my husband has been telling me how good the Southern Reach series was since shortly after it came out, but with my reading list as over-full as it is, I couldn’t quite justify bringing the series forward. Cut to the New Year, and we found out that the series has been adapted into a film. My husband was utterly bewildered by this turn of events, and is determined to see it to find out just how they’ve gone about adapting what is apparently a very weird series. So now I have until late February to finish the series in time to see the movie adaptation.



Annihilation follows a nameless biologist as she enters a strange place known as Area X as part of a scientific expedition. Little is known about the area beyond that there was an apparent environmental disaster, despite the apparent lushness of the ecosystems there. The members of the all-female expedition have been given the seemingly simple task of charting the land and taking samples of anything unusual. But it soon starts falling apart, starting with the discovery of an unmapped tunnel right near their base camp.
Having just read Annihilation, I can kind of see why my husband was so confused about the trailer. While there is a lot that comes up that could be seen as scary, both with regards to the secrets that are revealed about the authorities behind the expeditions and the weird creatures that call Area X home, I think it’s the kind of scary that is very difficult to translate to film. It’s the kind of slow burn that most directors avoid, and it wasn’t in evidence in the trailer that I’ve seen.
As to the actual book itself, I absolutely loved it, but it’s a bit of a shock to the system after a lot of fairly standard novels. There’s surprisingly little character interaction, and what there is is very detached and clinical due to the introverted nature of the biologist. It ends up being strangely claustrophobic in tone, as there is no secondary viewpoint to balance her out and her clear disinterest and difficulties regarding social interactions only makes her more isolated as a narrator. She’s an intriguing voice to follow if nothing else. As for the plot, I probably couldn’t say if I actually know what’s going on in Area X, but I am hoping that the next installments of the series will be a bit more illuminating.

x

Seriously weird and claustrophobic, I would heartily recommend this if you’re happy with a slow burn and not much in the way of answers for now. The narrator is refreshingly introverted, although I appreciate it might not be everyone’s cup of tea. 5/5

Next review: Authority by Jeff VanderMeer

Signing off,
Nisa.

The Shining Girls by Lauren Beukes

The Shining Girls was a book that I stole from my mum after she had finished reading it, although she seems to have forgotten it entirely by the time that I actually got round to reading it. I took it partly because I was intrigued by the premise, and partly because I had heard good things about the author Lauren Beukes.

The Shining Girls focuses on two main characters, Kirby and Harper. Kirby is a young woman who is trying to put her life back together after a brutal attack that nearly killed her. Attempting to track down the man who tried to kill her, she starts finding evidence that she isn’t the first woman who he has attacked, but some of the evidence is just impossible. Meanwhile Harper, having found a house that inexplicably allows him to travel anywhere within the years 1929 and 1993, is compelled to kill a set of girls whose names he has found written on the walls of one of the rooms upstairs, leaving a memento from one of his other kills at the scene of her death.
So I really wanted the whole time travelling serial killer premise to work for me, but it just doesn’t. It’s quite disappointing, especially as the writing itself is solid and engaging. But for me, the time travel just wasn’t implemented well, leading to two main problems.
Firstly, it’s really tough to make a thriller tense when you know that most of the awful stuff that the serial killer is going to do has, in another character’s timeline, already happened. Sure, the murder scenes are really well-written and horrifying in and of themselves, but it’s tough to maintain the tension when the reaction to each new female perspective chapter is “well, here’s the next sacrificial lamb”. The time and attention spent fleshing them out and giving them engaging problems seems kind of wasted since the reader knows that the next time their name crops up, they’ll be dead by the end of the chapter.
Secondly, it uses my most despised type of time travel, the ontological paradox, also known as a causal loop. If you’re not familiar with that, essentially it’s if person A is given an item by the elderly person B, then goes back in time to give that item to a younger version of person B. At which point you sit there and wonder how the item came into being in the first place if it’s constantly looping between two points in time. It drives me up the wall, and the aggravating part is that Beukes spends so much time setting up this closed loop. Spoiler alert, it turns out at the end that the reason the House makes Harper want to kill people is because the House is Harper’s spirit. Which is just infuriating, because it wants to be so clever and thematic, but it just brings up questions. How are the girls picked out as victims? Harper keeps mentioning that they shine, but the narrative never elaborates on what that is exactly. The only way that Harper knows about who he needs to kill and when he needs to go to kill them is via the House, so there’s never any thought process about why or how his victims are selected. It unwittingly leads to Harper being a more or less flat character, as he has no real motivations other than follow the House’s lead, for reasons that are never explained.

The Shining Girls is a prime example of an interesting premise that is its own worst enemy. What interest there could be from the impossible serial killer storyline is sabotaged by its own use of dated time travel tropes. There’s little tension because all the killings have already happened in one timeline or another, and the painstakingly constructed causal loop only brings up questions of how this all comes about as well as depriving the main villain of any meaningful motivation. The only saving grace is the writing itself, but there’s only so much that can be saved from this plot. 2.5/5

Next review: Blood Rites by Jim Butcher

Signing off,
Nisa.

Neuromancer by William Gibson

Neuromancer is one of those books that I have intended to read for some time, but just hadn’t gotten to. It had gotten to the point where my sister was shocked that I hadn’t actually read it yet, especially considering how much I like the whole cyberpunk aesthetic. So when I rediscovered where I had put the book, I couldn’t really put it off any longer.

Neuromancer follows Case, a former data-thief whose nervous system was burnt out by some former clients who he stole from. When he is approached by a mysterious employer who is willing to repair Case’s nervous system in return for going back into the Matrix on a mission that could be more dangerous than anything he’s attempted before. Soon it’s apparent that the only ones he can trust are Molly, a mirror-eyed street samurai, and Flatline Dixie, an AI approximation of his old mentor.
I’m still not quite sure how to feel about Neuromancer. On the one hand, it has all the atmosphere that I could possibly want in a cyberpunk novel. There is the weird kind of 1980s Blade-Runner-style idea of what the future would look like, which I like a lot more than I probably should. The plot is somewhat convoluted, but immersive nonetheless. And if you’re willing to stick with some unfamiliar terms or are a big cyberpunk fan, then this is an obvious title to pick up. You’d pick it up regardless of my overall review really. As such, for those of you still on the fence, here are a couple things that you might want to consider before picking it up, in case they prove to be deal breakers.
The first thing that really gave me pause for thought is that, as a protagonist, Case is surprisingly passive. After years of fiction in which the main driving force of a novel can be firmly placed with a handful of characters of which the protagonist is always withing that number, it’s a real shock to the system to follow around someone who has more or less no say in where he goes or how he acts. Sure, he sometimes does the odd thing that his employers don’t expect, but never anything major enough to throw a spanner in the overall plan. And I guess I can see why that decision was made, so that there was an appropriate sense of distrust and paranoia between him and his employers, but that understanding doesn’t make the experience of reading Neuromancer any less jarring.
The second issue I have is with the character of Peter Riviera. On top of being just generally unpleasant for no real reason, I still don’t quite get why he is brought into the run. He’s acknowledged to be a risk due to his perverse and psychopathic nature, but is brought onto the team to act as some poorly defined honey trap. I doubt that it was meant to be any kind of surprise when he betrays them, it just sticks out to me as an unnecessary risk in a plan that was supposed to have been set in motion by an incredibly intelligent and patient character.

If you like cyberpunk, especially the stuff that has that very 1980s feel to it, then you have probably already picked it up and really don’t need my encouragement. For those of you on the fence, it is an immersive story, but one with some odd stylistic choices that could bother some people. The main ones for me were the odd passivity of the main character and the logical flaw in entrusting a key part of a mission to a character who specifically has a betrayal fetish. 3.5/5

Next review: The Shining Girls by Lauren Beukes

Signing off,
Nisa.

Empire in Black and Gold by Adrian Tchaikovsky

It’s been a little while since I settled down with a proper fantasy book, and considering that the blurb promised a threat of a huge invading army I was more than happy to take a look at it. When I actually got round to reading Empire in Black and Gold though, my husband took one look at the cover and said, “Oh yeah, I remember reading that. Wasn’t a fan.” With that rousing recommendation, I forged ahead anyway.

After witnessing the invasion of the city state of Myna, an artificer by the name of Stenwold Maker has appealed to his peers in his home city, the Collegium, in the hopes that his warnings will lead to a better defence against the armies of the Wasp Empire. It soon becomes clear that few take his warnings seriously though, so he must recruit agents from amongst his own students, in the hopes that they will be able to muster their own allies and defences. When the Wasps arrive in the Collegium under the pretence of allegiance, he knows that he has run out of time for preparation.
At its core, Empire in Black and Gold is a solid fantasy and an excellent foundation for the rest of what I have just found is quite a lengthy series at this point. A lot of its success can be attributed to some interesting world-building. While in other fantasy series you would encounter races of elves and dwarves alongside the regular, boring humans, Tchaikovsky has instead opted to go with multiple races of human, all of whom share traits with certain insects. For example, the aforementioned Stenwold Maker is a Beetle-kinden, which means that he’s methodical and tenacious, while an ally of his, Tisamon, is a Mantis-kinden and thus very combat-oriented and deadly. An interesting concept which makes for some unusual sources of conflict, as certain races are gifted with machinery while others are gifted with more magical arts. On the other hand, it does create one of the biggest holes in the world-building that just doesn’t make sense no matter how I look at it.
So, the reader finds out rather quickly, through the character of Totho, that halfbreeds are very taboo. Totho, as a half-Ant/half-Beetle hybrid, is treated with only the barest of courtesy by most of the cast, with no real prospects for a career and with some outright willing to beat the stuffing out of him because of his mixed heritage. It makes up a HUGE part of his character, and I would be interested to see how that pans out. Now, with the taboo surrounding halfbreeds being so ingrained in this society, you would naturally assume that mixed race relationships would be similarly looked down on. Nope. The only time it’s addressed is when Totho expresses interest in a girl. One of the main leads, a Spider-kinden girl, expresses interest in one of her friends fairly early on, and the fact that he’s Dragonfly-kinden doesn’t seem to bother her. In fact it kind of acts as a bonus for her, as his race are comparatively rare where most of the plot is set and therefore exotic. I just don’t understand how you can have Totho on one hand, a character who has been completely browbeaten on the sheer basis of who he is, and then have several budding romances between people of different races go more or less entirely uncommented on. I just don’t understand how that can work, as one prejudice should naturally lead to the other. If mixed relations are okay, then there needs to be an in-universe reason why the offspring of those relations aren’t okay, and we’re never made privy to it. It is a comparatively small part of the world-building, but it just annoys me.

A solid fantasy with some intriguing world-building. I would be more than willing to continue the series and see how the politics and war stuff pans out. Unfortunately not all the world-building makes sense, with the attitude towards halfbreeds compared to the attitude towards mixed race relationships being the most obvious. Still worth a read though. 4/5

Next review: The Fires by Rene Steinke

Signing off,
Nisa.

Machine of Death edited by Ryan North, Matthew Bennardo & David Malki

Of all the titles in that Humble Bundle, Machine of Death was probably the one with the most morbidly intriguing title and premise. But it was an anthology of short stories, which can be anywhere on the spectrum of quality due to the sheer number of writers contributing. But there’s only so long that someone can resist a premise like that.

Machine of Death is an anthology of short stories centred around the idea that there is a machine that can predict the means of your death. Not the date or any other context, just the means by which your life will end. Sometimes the machine is straightforward. Sometimes the machine can be almost perversely ironic in its predictions: for example, a man presented with a slip stating OLD AGE may be just as likely to die as the result of being run over by a pensioner who can’t see over the wheel as he is of passing peacefully in his sleep. Sometimes the machine is just incomprehensible, spitting out slips reading ALMOND or FLAMING MARSHMALLOW. Machine of Death collects a variety of stories that explore the various reactions to knowing in a roundabout way how you are going to die.
I’m actually quite impressed at the overall quality of the work on display here, considering that it collects the efforts of several different writers, and generally people who are more known for their work with internet reviews and comics. For instance, I wasn’t aware that Randall Monroe from xkcd wrote fiction, and while I love his work on that comic I wasn’t sure how that would translate to a more traditional work of fiction. And while there are a couple of stories that, while not necessarily complete duds, could have done with a bit more polishing, there wasn’t really anything that stood out as ruining my reading experience. Probably the thing that bothered me most was that there are a few stories that focus on the creation and spread of the Machine of Death, and none of those quite meshed together. It’s a fairly minor issue considering, but it did niggle a bit for me.

Perhaps a bit of a morbid recommendation, but Machine of Death is a surprisingly thoughtful look at what the human race does with the knowledge of their own demise, with reactions ranging from relief to outright paranoia. Maybe not for those who are after a bit of light fiction, but definitely a book that I can recommend to those willing to suspend their disbelief. 4/5

Next review: The Poison Eaters and Other Stories by Holly Black

Signing off,
Nisa.

Spin by Robert Charles Wilson

Returning to the Humble Bundle, I settled on another science-fiction title in the form of Spin. Much like my last foray into science-fiction, there wasn’t much that I could glean from the blurb beyond “the stars are gone”, but I was mostly optimistic. My last book entered with more or less a blank slate outlook was a resounding success, and I was hoping for perhaps another sleeper hit.


Spin follows Tyler Dupree and his best friends, Jason and Diane Lawton, in the fallout of a massive cosmic event that starts when all the stars disappear from the sky. It soon becomes apparent that there is some kind of unnatural barrier surrounding the Earth, and that it is affecting more than just the appearance of the night sky. As more is found out about the mechanics of the Spin, Tyler finds himself torn between his two friends: while Jason throws himself into researching the Spin and why it was put there, Diane retreats into increasingly unorthodox religious movements in order to find meaning in a world that seems to be facing the end.
I found myself liking Spin, although not necessarily for my normal reasons. This is the first book that looks so closely at the world-building aspect of writing that hasn’t left me entirely cold. Possibly this is because for all the understandable fascination that Wilson has for the actual scientific aspects of what would go into a phenomenon like the Spin, he balances it with how the science affects society at large. For the most part, there doesn’t seem to be much reaction at all unless there’s something big and showy happening in the sky. It’s a slow creep of realisation instead of constant massive panic. I also liked that even when the narrative is dealing with some seriously out-there cults, there isn’t the kind of anti-religious bullshit that you sometimes get with science-fiction dealing with potentially world-ending consequences. Even when the results of their actions turn out poorly, the people within these sects aren’t depicted as crazed loons, just people who are scared and need somewhere to turn for answers. It’s a surprisingly balanced look that is sorely welcome.
If I were to criticise anything about Spin, it would be the main character and narrator, Tyler. While there’s nothing that I can think of that is actively aggravating or off-putting about him, neither can I think of anything really interesting about him either. The only thing that really stands out about him is his unhealthy obsession with the Lawton twins, and honestly it just makes him come across as embarrassingly needy. While not a huge issue, it does make the stakes a bit lower than they otherwise might be with a more engaging protagonist.

A really interesting look at a society abruptly reminded of their fragile place in the universe and how different parts of humanity look to try and cope. The main character is remarkable only for his unhealthy obsession with his two friends, but he’s not enough of an issue to make Spin unreadable. Definitely one for readers who like solid world-building. 4/5

Next review: The Last Unicorn by Peter Beagle

Signing off,
Nisa.

Shards of Honor by Lois McMaster Bujold

I’ll admit, when I got the Humble ebook Bundle I didn’t have any idea of what I was getting into with Shards of Honor. I’d vaguely heard of the Vorkosigan Saga and generally they seemed good things, but I’d never really looked into the series enough to get a solid idea of what it was all about. I figured from the blurb that it would be military science-fiction of some sort, but not much beyond that. More or less completely blind going in. Nice.

Shards of Honor follows Cordelia Naismith, the captain of a scientific survey crew who becomes the prisoner of Aral Vorkosigan, a man of sinister reputation and the former commander of the soldiers who attacked her crew. But despite the initial mistrust, the two find themselves growing unexpectedly attracted to one another, and must face the possibility of being forever parted when their planets threaten to go to war.
I honestly didn’t think I was going to like Shards of Honor when I first started reading it, as the narrative kind of throws the reader in at the deep end. I hadn’t gotten further than maybe the first couple of pages in and it’s throwing around new terms for planets and space-age weaponry with gay abandon. More than a little off-putting at first, not unlike trying to get your head around Nadsat in A Clockwork Orange for the first time. But like the aforementioned Nadsat, your head does manage to wrap itself around the more unusual terms with surprisingly little extra information.
Having adjusted myself to being thrust into the plot with a lot more speed than I am accustomed to, I realised that despite my initial reservations I was really enjoying myself. While the easiest way to describe the novel is military science-fiction with romance, Shards of Honor takes those base elements and does some really interesting things with them. So, first the military bit. I’m actually kind of surprised at how little fighting is actually shown directly. Possibly this is due to the main character being more or less a non-combatant, but the parts of war that are shown most often can be boiled down to internal politics and large scale battle strategy. Considering how much I love some politics and back-stabbing, I was totally in my element. Additionally, it was good to see that the sides aren’t easily delineated into purely good or malign. While the invading Barrayaran army is mostly in the wrong, it has a mix of Caligula types versus more noble types like Vorkosigan. Similarly, while there are perfectly reasonable people on the side of Escobar and Beta Colony like Cordelia, there are a surprising amount of people unwilling to look beyond basic propaganda messages. And no-one gets out of war unscathed, even or perhaps especially those who got what they wanted from the conflict. I am definitely looking forward to reading more about this world.
Second, the romance. I was pleasantly surprised that the novel focused on a middle age romance. While I’m a sucker for most kinds of romance, I don’t think I’ve really seen much in the genre where the people involved aren’t in their mid-twenties or younger (aside from the supernatural stuff, but even then no-one thinks or looks over thirty). It was refreshing to see the romance unfold with more maturity and a more thoughtful pace. It’s established pretty quickly that both Cordelia and Aral have been badly burned by their romantic attachments in the past, so their connection is less outwardly passionate, but no less powerful for it.

A bit of a slow burner at the start, but well worth the short period of confusion at the beginning. Shards of Honor is probably quite a good introduction to military science-fiction, if my reaction was anything to go by. I would definitely look into getting more of the Vorkosigan Saga as a result anyway. 4.5/5

Next review: Guards! Guards! by Terry Pratchett

Signing off,
Nisa.

Little Brother by Cory Doctorow

As some of you may have noticed, I am currently working my way through the second Humble ebook Bundle. I remember being vaguely interested in Little Brother when I first got the bundle, if only because it was dealing with a subject that I could discuss with my husband. If nothing, it would be nice to be able to actively engage with one of his special interests a bit more.

Little Brother follows Marcus Yallow, a more or less regular teen with a particular interest in technology and the ways that it can help him bunk off school. One particular day, he and some friends skip class, only to find themselves in the vicinity of a major terrorist attack on San Francisco. During the chaos, he and his friends are arrested by the Department of Home Security and interrogated for nearly a week. When he is let out, he realises that his best friend Darryl wasn’t released with them. Combined with the fact that the DHS has made San Francisco into a police state, and Marcus has more than enough reason to take them down.
Right, so there’s something that I want to get out of the way right away. While I did enjoy Little Brother overall, there is a lot of stuff that Doctorow explains, especially at the beginning. While I do acknowledge that there’s a fair bit that does need to be expanded on, especially if computers and security systems aren’t subjects that you’ve looked into before, there is still a fine line with how much is necessary for proper engagement. I don’t know whether this is because my husband has tried to explain at least some basic concepts to me, but I personally found that the stuff at the beginning kind of went overboard with the detail. Contrasting that, a concept that comes up later in the novel was so strangely explained that I had to get my husband to re-explain it for me when I got home from work. That last point aside though, there isn’t really anything complicated enough to derail the plot and I can understand that you would want to err on the side of too much information when you’re targeting a slightly younger audience. So this might be more of an annoyance if you’re more familiar with coding when you go into this, but for complete beginners I can see the overabundance of detail being more useful than annoying.
Having gotten that negativity out of the way, I will say that I really enjoyed Little Brother. It is a really insightful look into what could happen if a country decides that the needs of “security” overrides the rights of its citizens’ to privacy and free speech. The fact that I finished this on the day that Erdogan banned Wikipedia in Turkey, in order to block out content by writers accused of “supporting terror”, is not something that has escaped me. Following the initial terror attack at the beginning, terrorists aren’t even considered a credible threat by the narrative, regardless of how much the DHS try to insist that they’re the only threat. And I think that that is very telling actually. While terrorism is something that has mentally and emotionally shaped Western society since the turn of the century and I wouldn’t want to underplay the damage that these individuals have caused to the families of their victims, I don’t think that terrorists are what we are really scared of. At least for me, there is the awareness that terror groups just don’t have the resources or numbers in order to actually change things or even react to the increased measures against them. In contrast, working as a public servant I am keenly aware of just how much information that a government has about its citizens, and the prospect of what could happen if my government decided that it could exploit that in the name of safety feels a lot more real and legitimately terrifies me at times. But then I talk to my parents about this, and they’re of a generation that doesn’t necessarily understand technology as much and would perhaps prefer to err on the side of security over internet freedom. Little Brother gets into this younger mindset really well, and is probably a good place to try and introduce these kinds of concepts to those who aren’t as familiar with them.

Definitely one to recommend for someone looking for a semi-realistic modern dystopia. It’s a bit over-the-top when it comes to explaining concepts at times, but for the most part it appears to be pretty accurate when it comes to all things coding. 4/5

Next review: Shards of Honor by Lois McMaster Bujold

Signing off,
Nisa.

Boneshaker by Cherie Priest

Boneshaker has been on my reading list for a fair while now, picked up as part of a geeky bundle. I was definitely looking forward to this one though, as it combines one of my favourite sub-genres, steampunk, with something looking horror elements. I was keen to see how it would pan out.

In an alternate history where the Civil War has been raging for two decades, an attempt to mine through the frozen Klondike for gold leads to disaster when the massive drill known as the Boneshaker destroys huge parts of downtown Seattle and releases a previously subterranean gas that turns those unfortunate to breathe it into the living dead. Sixteen years later, the worst affected parts of the city have been sealed off by walls, and the widow and son of the Boneshaker’s inventor, Leviticus Blue, are trying to make a living whilst dealing with the ignominy of their relative’s devastating actions. When Ezekiel makes his way into the sealed off city determined to find proof of his father’s lack of malicious intent, Briar must find a way through the living dead and heavily armed criminals still living in the ravaged city in order to bring her son back.
Boneshaker was something of a slow burner for me. While I absolutely loved Briar and her sections trying to reach her son whilst regretting all the things that she never felt ready to tell him about his father, I was less keen on Zeke’s sections. While there’s nothing outright wrong about the way that he’s written, I just find his kind of character irritating. An ounce of prevention being worth a pound of cure and all, it’s more interesting watching Briar’s more considered approach as opposed to Zeke’s “I have maps and a mask, I have no more need for preparation” plan of attack, which inevitably leads to a lot of blind panic. He does get better by the end though, so it’s worth it to plough through his sections of blundering in the middle of the book. And Boneshaker is definitely worth finishing. Keeping in mind that it’s alternate history and thus there are some massive creative liberties that have been taken with regards to historical accuracy, you can really tell that Priest is enthusiastic about the period and tries to keep as much historical flavour as possible within her re-imagined chronology. It makes the world feel a lot more grounded and realistic than a lot of other fantasy/science-fiction books, even compared to series where comparatively little is different to the real world. I can’t really think of many people that I couldn’t recommend this to.

A steampunk story that feels a lot more grounded than other examples in the genre even considering the additional undead, Boneshaker is definitely a book that I would recommend picking up for fans of the genre or those looking to for an introduction to steampunk. I personally found Zeke’s sections in the middle to be a bit tiresome at times, but they are more than made up for by Briar’s sections and he does gradually get some decent character development. The characters are solid, and there is some decent intrigue. 4.5/5

Next review: Just a Geek by Wil Wheaton

Signing off,
Nisa.

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